GNR Publication

Multidisciplinary Subjects

Vocal Health and Sustainability among Christian Solo Singers: A Review of Literature and a Framework for Practice

Dr Yeside Odiase1✉
1 Department of Composition and Performance Studies, The Nigerian Baptist Theological Seminary, Ogbomoso, Nigeria

Abstract

The solo Christian singer occupies a demanding and often under-examined position within contemporary worship and gospel ministry. The voice is simultaneously an instrument of artistry, a vehicle of personal livelihood, and a tool understood by many practitioners to carry spiritual significance. This combination of aesthetic, economic, and devotional pressure places unusual and sustained demands on the vocal mechanism, yet vocal health has historically received far less attention in ministry and music-education settings than musicality, stage presence, or repertoire. This paper reviews literature from voice science, music education, and African and Nigerian musicology to examine the physiological demands, common vocal health challenges, and sustainability practices relevant to Christian solo singers. It draws on international voice-science research on hydration, phonotrauma, and vocal hygiene, alongside Nigerian and African scholarship on gospel and church music performance, to argue that vocal sustainability for the Christian solo singer requires an integrated approach combining sound vocal technique, deliberate vocal hygiene, psychological and spiritual well-being, and institutional support from churches and music ministries. The paper closes with practical recommendations for singers, worship leaders, choir directors, and church administrators.
Keywords: Vocal health, vocal sustainability, Christian singers, gospel music, voice care, worship leaders, Nigeria

References

  1. Adedeji, F. (2001). Revolutionary trends in Nigerian contemporary gospel music. Humanities Review Journal, 1(2), 46–53. https://doi.org/10.4314/hrj.v1i2.5909
  2. Adedeji, F. (2005a). Classification of Nigerian gospel music styles. Nigerian Music Review, 5(1), 62–80. https://doi.org/10.4314/nmr.v5i1.35369
  3. Adedeji, F. (2005b). Historical development of Nigerian gospel music styles. African Notes: Journal of the Institute of African Studies, 29(1–2), 145–152.
  4. Adedeji, F. (2009). Vocal aesthetics in contemporary African music: A case of Nigerian gospel music. Awka Journal of Research in Music and the Arts, 6, 1–12.
  5. Adedeji, F. (2012). Nigerian gospel music in a globalized context. Journal of the Association of Nigerian Musicologists, 3, 60–71. https://doi.org/10.4314/janm.v3i0
  6. Akinbode, R., Lam, K. B. H., Ayres, J. G., & Sadhra, S. (2014). Voice disorders in Nigerian primary school teachers. Occupational Medicine, 64(5), 382–386. https://doi.org/10.1093/occmed/kqu052
  7. Brennan, V. L. (2018). Singing Yorùbá Christianity: Music, media, and morality. Indiana University Press.
  8. Idamoyibo, A. A. (2005). The new Ìjálá genre in Christian worship. African Notes: Journal of the Institute of African Studies, 29.
  9. Ingalls, M. M., Ayanyinka, A. A., & Chesirri, M. E. (2024). Reconstructing hymn canons through international partnership: “The Nigerian Christian Songs” project as cultural archive, pedagogical tool, and decolonial resource. In E. Johnson-Williams & P. Burnett (Eds.), Hymns and constructions of race: Mobility, agency, and de/coloniality.
  10. Kirsh, E. R., van Leer, E., Phero, H. J., Xie, C., & Khosla, S. (2013). Factors associated with singers’ perceptions of choral singing well-being. Journal of Voice, 27(6), 786.e25–786.e32. https://doi.org/10.1016/j.jvoice.2013.06.004
  11. Levett, N., et al. (2023). Amateur choir singers—Does good vocal health matter? International Journal of Language & Communication Disorders. https://doi.org/10.1111/1460-6984.12863
  12. Loy, C. (2025, August 28). Singing smart: Worship with strength, not strain. Worship Leader Magazine. https://worshipleader.com/worship/singing-smart-worship-strength-not-strain/
  13. Odewole, I. O. O. (2018). Singing and worship in an Anglican Church liturgy in Egba and Egba West Dioceses, Abeokuta, Nigeria. HTS Teologiese Studies/Theological Studies, 74(1), Article 4584. https://doi.org/10.4102/hts.v74i1.4584
  14. Oikelome, A. (2022, December 23). Renowned music lecturer, Oikelome appointed professor. P.M. News. https://pmnewsnigeria.com/2022/12/23/renown-music-lecturer-oikelome-appointed-professor/
  15. Rosa, M., & Behlau, M. (2017). Mapping of vocal risk in amateur choir. Journal of Voice, 31(1), 118.e1–118.e11. https://doi.org/10.1016/j.jvoice.2016.03.002
  16. Samuel, K. M. (2013). Church music in Nigeria: A historical trend. Abuja Journal of Philosophy and Religion, 2, 32–45.
  17. Sharma, V., Nayak, S., & Devadas, U. (2021). A survey of vocal health in church choir singers. European Archives of Oto-Rhino-Laryngology, 278(8), 2907–2917. https://doi.org/10.1007/s00405-021-06770-0
  18. Sivasankar, M., & Leydon, C. (2010). The role of hydration in vocal fold physiology. Current Opinion in Otolaryngology & Head and Neck Surgery, 18(3), 171–175.
  19. Titze, I. R. (1994). Principles of voice production. Prentice Hall.
  20. Verdolini, K., Min, Y., Titze, I. R., Lemke, J., Brown, K., van Mersbergen, M., Jiang, J., & Fisher, K. (2002). Biological mechanisms underlying voice changes due to dehydration. Journal of Speech, Language, and Hearing Research, 45(2), 268–281. https://doi.org/10.1044/1092-4388(2002/021)
  21. Vermeulen, R., du Toit, M., van Lierde, K., & van der Linde, J. (2022). The effect of vocal hygiene education programs on voice quality in professional voice users: A systematic review. Journal of Speech, Language, and Hearing Research, 65(12), 4700–4713. https://doi.org/10.1044/2022_JSLHR-22-00097
© 2026 GNR Publication. Published under the CC BY 4.0 License. Archived in the Internet Archive. ISSN: 3139-6801.
Scroll to Top